The Panasonic Lumix GF1 is a 12.1-megapixel Micro Four Thirds camera, which offers a more compact form factor than its predecessors, the G1 and GH1. The Lumix GF1 looks more like the Olympus E-P1; however the GF1 also offers a pop-up flash, a feature that I sorely missed on the Olympus E-P1.
The Panasonic Lumix GF1 should be available in October 2009 at an initial retail price of $899.95. Check availability on Amazon.com.
Panasonic Lumix GF1 Reviews
Let’s Go Digital (preview)
Panasonic GF1 News Release
Secaucus, NJ (September 2, 2009) – Today, Panasonic announced the new LUMIX DMC-GF1, the latest addition to the award-winning LUMIX G Series, which debuts as the world’s smallest and lightest system digital camera with a built-in flash*. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic’s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.
“Panasonic changed the digital camera industry with the world’s first Micro Four Thirds digital camera, the LUMIX G1 – a compact “DSLR-like” digital camera that produces exceptional image quality. Then, as we continued to raise the innovation bar, Panasonic launched the LUMIX GH1, adding full High Definition 1080p video recording with continuous auto focus,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The new LUMIX GF1 continues the evolution and is the perfect addition to our LUMIX G Series, as its sophisticated, small body makes it easier and more convenient to carry. The GF1 is ideal for point-and-shoot consumers looking to step-up to DSLR-quality or for current DSLR users who want greater convenience without compromising performance quality or creative flexibility.”
With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.
Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects – something typically only possible with expensive professional camcorders.
The LUMIX DMC-GF1 includes the new My Color mode, which includes seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette and Custom – all which let users manually set the color, brightness and saturation levels. With the Live View function, users can see how these settings will effect the photo before they shoot, making it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of nine Film modes, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favorite settings in memory. Furthermore, the exposure meter can be displayed in other shooting modes and the correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range.
For those users not quite comfortable with extensive manual and creative controls, the LUMIX GF1 provides a user-friendly setting that can address a beginner’s comfort level, while helping them evolve their photography skills. For instance, Panasonic’s new Scene mode, Peripheral Defocus, lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.
Also, helping to make the LUMIX GF1 more approachable, Panasonic’s popular iA (Intelligent Auto) mode, a system of technologies that engage automatically – no setting changes needed – allows for intuitive use when shooting still or video images. While shooting video, iA activates Panasonic’s O.I.S. (Optical Image Stabilization), which helps reduce video-blurring due to handshake. In addition, Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion on it so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. For still photos, the iA system encompasses: Face Recognition (up to six faces can be registered); Auto Focus (AF) Tracking; Mega O.I.S.; Intelligent ISO; Intelligent Exposure; and Intelligent Scene Selector.
The LUMIX GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings. New for the LUMIX G Series, the LUMIX GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic’s DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.
The LUMIX GF1’s sensor technology offers the best of both worlds – the superior image quality of a CCD sensor, and the low-power consumption of a CMOS sensor. Advanced technology makes it possible to read four channels of data simultaneously, helping the LUMIX GF1 deliver 60 frames-per-second full-time Live View images, while maintaining fine detail and rich gradation. The LUMIX GF1’s Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.
The contrast AF system adopted in the LUMIX GF1 is not only accurate, but also very quick – approximately 0.3 seconds with the LUMIX G H-FS014045 lens. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas; 1-area AF with a selectable focus area; Face Detection; and AF Tracking. The LUMIX GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera – without pressing the shutter button halfway.
As with all Panasonic LUMIX G Series digital cameras, the LUMIX GF1 is equipped with a highly-effective Dust Reduction system. Thus, if dust gets inside the camera (when changing lenses), Panasonic’s Dust Reduction system addresses this problem by placing a supersonic wave filter in front of the Live MOS sensor which vertically vibrates around 50,000 times per second, thus repelling the dust.
The content captured on the LUMIX GF1 can easily be viewed on a Panasonic VIERA® HDTV by simply inserting the SD/SDCH Memory Card into the VIERA’s SD/SDHC Memory Card slot or into a Panasonic DIGA Blu-ray Disc Player. Alternatively, an optional mini HDMI cable can be used to output still and motion images recorded with the LUMIX DMC-GF1 directly to the TV for easy VIERA LinkTM operation, with control of playback functions, such as slideshows, managed from the VIERA HDTV’s remote control.
The Panasonic LUMIX DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight “pancake” lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.
Poagao says
You seriously need a tiny pop-up flash on your EP1? Other than the very occasional fill in direct sunlight, I can’t imagine ever needing to resort to one of those; In-body IS, for me, is much, much more useful, and the GH1 doesn’t seem to have that.
I like the higher-resolution LCD, though.
Samantha says
Wow, these Micro 4/3 cameras are so cute…they are just so expensive though. I’d rather put my money towards my DSLR kit.
Eric says
That’s been pretty much my thoughts so far as well Samantha. (Although, I don’t know I would call a camera cute, my sentiments are quite similar.)
Micah says
It’s big enough, compared to a p&s…why isn’t there a rangfinder? The tiny Canon 780is has one…why don’t the two new micro 4/3 cameras? A hot shoe viewfinder is not a true solution, because it prevents using external flash at the same time.
That’s the only thing that kills my interest. And it does so utterly.
Jack says
As long as the AF speed is in line with G1/GH1 (~0.2-0.3second), this is worth buying. The E-P1 (1+seconds) focuses slower than LX3 (0.7seconds) for goodness sake!! That is the reason I owned the E-P1 for only 2 weeks and sold it immediately. What kind of an SLR like camera focuses slower than a PnS!
Video with subject tracking and fast AF would be a plus as well. This has all the making of a very very consumer friendly camera…
Jack says
I think those of us who are asking for an OVF in a m43 camera should perhaps reconsider the possibility of that.
The problem is with accuracy. I had the G10 with an OVF but it was so frustratingly inaccurate that I wondered why Canon bothered putting that in…and that is a fixed lens camera.
The question is, how do you put in an OVF which remains accurate with any lens you mount on?… What happens when you mount on a zoom lens? You need the OVF to zoom with it? It would be impossible to sync your OVF with all the lenses you mount on the body. Imagine 18-270!
LCD live view may not be the best viewfinders but hey, if you want a reasonably accurate OVF in a semi-pro camera and weight is not really an issue, go buy a dSLR. Remember that the Canon 500D is only 480g without batt.
This cam fits right into that gap between an LCD trotting PnS and the dSLR. Where you want to carry a PnS sized camera with a dSLR like quality image. In about 90% of digital cameras, i.e PnS, users use the LCD to take pictures, so I don’t see an issue with that.
Rino says
I do not know if the -have o.i.s o stabilizer -is a serious problem
mark says
Please CCD, Please CCD. Leica on the EP-1 is useless.
bob says
It looks like the GF-1 has a slot to plug in an electronic view finder (not just an OVF, like mentioned above. If it uses the same technology as the G1, it can and will zoom with any lens attached and provide 100% frame coverage.
tom says
Why would anyone go 4/3 just to save a “little weight and bulk” from the pentaprism…and, on top of that, spend close to $200 for a separate viewfinder that SLR already have via the pentaprism???…no clear reson nor advantage…SLR more complete, slightly bulkier and heavier,has everything you need and will need…look, i.e, at Pentax SLR size, Canons,…small enough (compared to GF-1) and very complete systems..
Jasli says
Yes. I totally agreed with TOM.
Why need a beef up sheep when you can have the whole cow?
C’mon guys!
Bernie says
Here is the bottom line. SLRs are bulky. Quality lenses for SLRs are huge, and very expensive. Travelling with an SLR requires a separate bag just for the gear unless of course you have an all purpose zoom which is at best a compromise.I know, I have used an SLR for years. M3/4 cameras are small, their lenses are also small, and can be made quite good with software correction. For a very small sacrifice in quality, one can have an excellent camera with fine lenses and greal portability.