Pro Pro filters have been around for a couple years; however, I saw them for the first time at PhotoPlus 2013. The filters are designed for GoPro cameras and offer polarized, macro, underwater and ND options. [click to continue…]
GoPro’s Tyler Johnson put together this cool array of 24 GoPro HERO 3 cameras, which provides a “budget” alternative to the high-end Matrix bullet time effect.
You can see the handheld array in the above frame grab. I think Tyler did a solid job of blending the frames together in post for the smooth bullet time effect.
We’ve seen a lot of different uses for Content-Aware Fill since it was initially introduced as a feature of Photoshop. There have been plenty of failures and successes for the feature. All that I have seen have been in still images.
The above video, however, puts Content-Aware Fill to the test on moving images for an interesting (if, less than perfect) take on the feature.
After watching the video for a few seconds though, I started thinking about the information that is available frame to frame and how Content-Aware Fill could leverage this additional info for application in video. It is already possible to automate this process in Photoshop for a static scene with Image Stacks – like so.
So where is our Content-Aware Fill for video Adobe? Use those other frames to make this work.
[via John Nack]
In one of the coolest POV videos around, YouTube user Srachi strapped a GoPro camera to the back of an eagle for some stunning footage that literally provides a bird’s-eye view. Check it out below. [click to continue…]
Adobe has released Photoshop Elements 12 and Premiere Elements 12.
Key new features in Photoshop Elements 12 include mobile connectivity via Elements Mobile Albums and 64-bit support for Mac OS X. Check out the highlights video below. [click to continue…]