Nikon D810 Filmmaker’s Kit Review


The Nikon D810 is by virtually all regards an excellent full frame camera. It’s 36MP full frame sensor is class-leading in terms of resolution overall image quality.

The D810 is also quite the competent video camera, with plenty of new bells and whistles added over previous Nikon HDSLR offerings.

Nikon thinks the D810 is such a great HDSLR for cinematographers that it makes the camera available in what is called the Nikon D810 DSLR Filmmaker’s Kit, which is the focal point of this review. [Read more…]


Nikon D3S Reviews and Resources

Nikon D3s

The Nikon D3S is a flagship follow-up to the Nikon D3.  The D3S features a 12.1-megapixel sensor (as did the Nikon D3) but extends sensitivity up to ISO 102,400 and adds HD video capture in 720p resolution at 24 fps.

Nikon D3S Key Specs

  • 12.1-megapixels
  • ISO 200-12800 (expandable up to ISO 102,400 equivalent)
  • 9 fps (11 fps in DX mode)
  • 720p HD video recording at 24fps
  • Buffer increased to 48 RAW images
  • Improved contrast-detect AF
  • In-camera RAW image processing
  • Same 51-point AF, 3D Matrix Metering and dual CF slots

Nikon D3S Availability


B&H Photo


Photography Bay Resources

Nikon D3s Hands-On Review

Nikon D3S vs. Canon 1D Mark IV ISO Comparison

Nikon D3S vs. Canon 1D Mark IV  ISO Comparison – Part II

Nikon D3S vs. Canon 1D Mark IV – Evaluating Prints

Nikon D3S Reviews

Digital Camera Review

Imaging Resource

Thom Hogan

Photo Radar


Digital Photographer (hands-on)

Tech Radar (hands-on)

Amateur Photographer (hands-on)

Let’s Go Digital (hands-on)

Pocket-Lint (hands-on)

Nikon D3s Official Resources

Product Brochure
Sample Images
D3s Microsite

Nikon D3s Accessories

En-EL4 Battery
MH-22 Dual Quick Charger
MH-21 Quick Charger
EH-6 AC Adapter
WT-4a Wireless Transmitter
GP-1 GPS Unit
ML-3 Modulite Remote Control Set
MC-36 Multi-function Remote Cord
MC-35 GPS Cable
MC-30 Remote Trigger Release
B Type Focusing Screen
E Type Focusing Screen
WG-AS1 Water Guard
DR-5 Rectangular Right Angle FinderDK-19 Rubber Eyecup
DK-17M Magnifying Eyepiece
SB-900 Speedlight
SB-600 Speedlight

Nikon D3s News Release

MELVILLE, N.Y. (Oct. 14, 2009) – Today, Nikon Inc. announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the groundbreaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible.

The Nikon D3S builds upon the success of the Nikon D3—the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.

“When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon’s leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements.”

Creative Vision Beyond the Human Eye

The Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images—image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye’s ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided.

This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing.

Big Pixels Equal Greater ISO Capabilities

The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36×23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.

The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand.

Share the Vision with D-Movie Creativity

Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280×720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of “rolling shutter” typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.

Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode.

Performance and Features Defining Versatility

The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality—characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps).

The D3S also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera’s HDMI port and an optional cable.

The D3S features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera’s mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife.

Technologies Engineered for Professionals

The D3S’ speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S’ blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3S’ accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame.

Nikon’s exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II, helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation.

To further enhance each photographer’s expression of personal style, Nikon’s Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally.

Ready for Work

Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy.

A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera’s Lithium-ion battery.

System Strength Withstands the Test of Time

The D3S is fully compatible with Nikon’s Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses—long heralded for their optical superiority.

Price and Availability

The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit Users can see the new D3S, along with Nikon’s entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009.

Olympus E-P1 Reviews and Resources

The Olympus E-P1 is a 12.3 megapixel quasi-compact camera that offers users the ability to switch lenses.  It has no mirror box between the lens and the image sensor, so it is effectively a full time live view camera.  Because of the sensor size in Micro Four Thirds cameras, the Olympus E-P1 has a 2x crop factor applied to lens focal lengths.  As a result, a 14mm focal length on the E-P1 is effectively equivalent to the angle of view of a 28mm lens on a 35mm or full frame camera.

Olympus E-P1 Key Features

  • Compact size w/ interchangeable lenses
  • 12.3 megapixel sensor
  • HD video at 720p
  • ISO 100-6400
  • Sensor-based image stabilization
  • 11-area multiple AF
  • 3″ LCD
  • External flash hotshoe
  • 3 frames per second shooting speed
  • Olympus’ popular Art Filters
  • SD card compatibility

Olympus E-P1 Availability



B&H Photo

Photography Bay Resources

Olympus E-P1 Review

Olympus E-P1 Reviews

Camera Labs

The Olympus E-P1 is the camera many enthusiasts have been waiting for.


They have delivered a game-changing camera that may not be for everybody but if the size, shape, and ability to use so many different kinds of lenses, from Olympus and many others appeals to you, as it does to me, you’ll want an E-P1.


Detail is very good and with around two to three stops of exposure and detail headroom in the RAWs there’s plenty of extra detail to pull out of shadows and highlights if you need to.


It surpasses the E-620, offering a leap forward in low-light performance, so much so that the E-P1 is the first Four Thirds camera to offer comparable quality to an APS-C DSLR, despite the smaller sensor size. Olympus have certainly made real strides here.


After examining my 900 images and dozens of HD video clips, I can confirm that the E-P1 and M. Zuiko lenses live up to their full potential.


Well, I was won over by the image quality and that at the end of the day is probably the single most important factor and so makes this a camera one I cannot help but recommend.

Outback Photo

So far we think that the image quality is nice and likely even better than the E-620 (and we like using E-620 a lot).


The Olympus E-P1 is an otherwise excellent enthusiast compact camera hampered by some performance problems and the lack of a viewfinder and built-in flash.

Steve’s Digicams

I was very pleased with the image quality from the E-P1’s 12.3-megapixel Live MOS imager and TruePic V imager processor.

Digicam Review

Image quality is excellent – with excellent colour, and good levels of saturation and contrast with excellent detail. Noise levels were very low and provided useable ISO1600 (and possibly higher) – with less colour noise than even the Canon 450D, and provided much better detail from the Olympus kit lens, than the Canon’s kit lens.


As for things like focussing, The E-P1 makes use of 11-point focus system which worked well under our tests, albeit a tad sluggish.

Pocket-Lint (first look review)

The Olympus E-P1 is a true hybrid, falling into the space between compact and DSLR. It is distinctly different in its offering and may, for some, be appealing as a result

Wired UK (hands-on report)

Its technical proficiency makes this a very good camera. What makes it great is its sense of style, which leaves an SLR feeling clunky by comparison.

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The Complete Idiot’s Guide to Photography Essentials

The Complete Idiot's Guide to Photography Essentials (Complete Idiot's Guide to)The folks at the Complete Idiot’s Guides picked the right guy to cover Photography Essentials. Mark Jenkinson is a photographer of the first order, routinely shooting for big name magazines like Maxim, Time and Vogue.

You might think that Jenkinson would jump to advanced concepts based on his own work, but he’s done a wonderful job of putting together a beginner-to-intermediate manual for photographers. Even if you have a certain level of photography experience, this book will still have plenty to offer.

The table of contents reads like an exceptionally user-friendly textbook:

  • Basic Equipment
  • Optics
  • Exposure
  • Formats
  • Rules & Conventions
  • Light
  • Photographing People
  • Photographing Events
  • Travel & Landscape Photography
  • Still Life Photography
  • Arching
  • Next Steps

The writing style mirrors that approach, without suffering from the condescension many photography textbooks seem to ooze. Instead, this guide is a friendly manual. An added bonus is that Jenkinson does not assume that every beginning photographer will have a bag full of expensive equipment. He offers practical advice that does not require spending a fortune.

Take light meters, for example: Jenkinson gives a great overview of the average metering options on an SLR. He also makes mention of handheld light meters, but doesn’t make them an integral part of his discussion of the subject.

There’s an added bonus with Photography Essentials. The book is full of beautiful color photography, illustrating Jenkinson’s points. It’s always easier to learn a photographic technique when you know the end result you’re aiming for. The photos in this book making it an excellent teaching tool.

Despite my own photography experience, I feel like I learned plenty from his tips on shooting in different types of light. I have a feeling I’ll be dragging this book out as an essential reference for quite a while to come. I’m also asking my photography professor from back in the day to replace his textbook with Jenkinson’s book — it’s a much better introduction overall.

Olympus E-520 Reviews and Resources

The Olympus E-520 is the successor to the popular Olympus E-510. The new DSLR follows the recent announcement of the Olympus E-420, which served as the successor to the E-410. The new E-520 carries on the Four Thirds lens mount, which means a 2x crop factor for all lenses.

Key Features

  • Sensor-based mage stabiliation
  • Sensitivity range of ISO 100-1600
  • Autofocus Live View
  • Dust reduction system
  • Face Detection and Shadow Adjustment Technology
  • 2.7″ HyperCrystal II LCD
  • 3.5fps with up to 8 images in RAW buffer
  • Built-in flash and wireless flash control
  • Optional underwater case available
  • One-touch white balance
  • Perfect shot preview
  • 100% field of view via LCD
  • Detailed playback info screen with histogram

Olympus E-520 Reviews

Imaging Resource

The E-520 faces stiff competition in the increasingly-ubiquitous sub-$700 digital SLR category, and although it possesses a number of enticing elements, it lacks key differentiators to elevate it significantly above its rivals.

While the marriage of simplicity and complexity in the E-520 may not be an entirely smooth one, it’s one that makes the snapper a very attractive camera for the transitional photographer who wants to leave point-and-shoot land behind but not lose sight of its shores entirely.

Photography Review

Combine the E-520’s minimal size and built-in image stabilization and you’ve got what I believe is one of the best backpacking cameras available.


This is a good transitional camera for anyone wanting to progress to DSLR for the first time although it does have some minor limitations that should be considered and, I imagine in many cases, overlooked.

DP Review

The level of customizability is astonishing for the price, both in terms of the function of external buttons and the ability to fine-tune the output of the camera to perfectly suit your subject, shooting style and personal preferences.

Digital Camera Info

There’s one of the best Live View modes on the market (with auto focus), a good image stabilization system that’s built into the body, comprehensive presets and a high degree of customizability and control. However, the test results for noise levels, white balance and dynamic range were so poor that they dragged down an otherwise good camera.


On the surface, the new Olympus E-520 looks very similar to the 1-year old E-510 model that it replaces. The E520 retains some key features from its predecessor; the same 10 megapixel LiveMOS sensor, Supersonic Wave Filter, and body-integrated image stabilisation are all present and correct. What have Olympus added then to tempt you to part with £500 / $750 of your hard-earned cash? There’s a bigger 2.7 inch LCD screen, 3.5fps continuous shooting speed, the introduction of Shadow Adjustment Technology, Face Detection and more convenient auto-focus options in Live View, and wireless TTL flash control. Zoltan Arva-Toth finds out if the evolutionary Olympus E-520 has enough new features to survive in the cut-throat world of the entry-level DSLR market.

Let’s Go Digital

The image quality of the Olympus E-520 is solid as a rock, leaving no other option than to go to the closest dealer and make your acquaintance with this camera. How that will work out, is up to you, we have been convinced already!

Camera Labs

Indeed while the competition now offers some key features you should carefully weigh-up, we can still confidently award the E-520 the Highly Recommended rating of its predecessor. If you’re shopping for a new DSLR at this price-point, it should be on your shortlist.

Digital Camera Review

In terms of overall approach, the E-520 may well be the most flexible consumer DSLR we’ve reviewed this year: whereas the Nikon D60 proved to be an excellent first SLR, and new models from Canon and Pentax have aimed to appeal to a slightly more advanced audience, the E-520 does both at once.

Trusted Reviews

The improvements, particularly the new image stabilisation mode and autofocus accuracy of Live Modes show that these important technologies are still being perfected, and the latest versions on the E-520 are pretty much as good as they get at the moment.

Sample Images


Where to Buy

If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices.