The Sigma 18-35mm f/1.8 DC HSM lens is built for APS-C format cameras, providing a 27-52.5mm equivalent full frame field of view. At 1.78 lbs, the lens is not quite a bear; however, you’ll definitely notice an increase and size and weight from other variable aperture zoom lenses built for APS-C cameras (e.g., Canon’s EF-S 18-135mm IS STM and Nikon’s 18-105mm VR). I equate the feel close to the Canon EF 24-105mm f/4L IS lens. [Read more…]
The Rode VideoMic GO is a latest shoe-mounted shotgun mic that is geared toward amateur and enthusiast shooters who want to add better sound quality to their video-capable compact, mirrorless and DSLR cameras.
Unlike other microphones in the VideoMic series, the VideoMic GO does not require batteries to operate and has no external controls to adjust. You don’t even have to turn the VideoMic GO on to use it. Just plug it in and, literally, go. [Read more…]
The Canon 70D follows a long line of mid-range prosumer DSLRs that has been a decade in the making. The Canon xxD started way back in February 2003 when the 10D was introduced as a replacement for the D60. Canon has gradually updated these cameras over the years – with some years seeing larger jumps than others.
In 2010, the Canon 60D introduced HD video capture into the line and the 70D certainly steps up that game even further. At the same time, the 70D takes the still image capacity of the line a serious step further as well. [Read more…]
The Senal SMH-1000 studio headphones have the look and feel of the Sony MDR-7506 headphones, which pretty much set the standard for professional monitoring headphones in the sub-$100 range. In many cases, the Sony MDR-7506 headphones are even better than other models that cost substantially more. [Read more…]