Fujifilm just announced a pair of new lenses for its GFX 50S medium format camera – the GF 110mm f/2 R LM WR (87mm equivalent in 35mm format) and the GF 23mm f/4 R LM WR (18mm equivalent). [Read more…]
According to Lomography anyway, today April 12, 2017 is the fifth annual film photography day in Lomography Gallery and Embassy Stores around the world. If you’re in NYC, there’s a Sacred NYC Tattoo Party Pop-up happening at the Lomography Gallery Store on 8th Street.
If you’re not near a Lomography Gallery or Embassy Store, it’s still a good excuse to dust off your film camera and shoot a couple rolls or sheets. [Read more…]
Fuji previously showed off the new GFX 50S medium format camera and new lenses back at Photokina 2016. Pricing was the big question on everyone’s mind and Fuji is hitting a pretty good price point at $6500, which comes in below the relatively affordable Pentax 645Z (now at $7000) and well below the new Hasselblad X1D-50c (at $9k).
Last summer, I speculated about the coming medium format revolution and what role Fuji would play in it. I think the $6500 price tag for a 51MP medium format camera signals that Fuji means business and wants a big piece of the medium format market share. [Read more…]
Fujifilm has been killing it over the past few years in both film and digital formats. Even though the company killed off the last type of peel-apart film when it discontinued its FP-100c film earlier this year, Fujifilm Instax is the hottest photography product on the market. The Fuji X-Series lures DSLR users over to the mirrorless side in droves. And now, we’re talking about a medium format digital camera from Fuji. [Read more…]
Hasselblad has downsized medium format cameras with the introduction of the new Hasselblad X1D. With the same 50MP 43.8mm x 32.9mm CMOS sensor we see in the much more expensive Hasselblad H5D, the X1D shaves size, weight and price for a formiddable medium format package that could be a sign of the future for photography pros and enthusiasts. [Read more…]
It’s a sad day folks. As I have waded back into film photography over the past year, there is one film that I’ve really grown attached to: Fujifilm’s FP-100C.
Today, however, Fujifilm announced the end of production for FP-100C. It is the last peel-apart film on the market. As such, it was the only film available for many Polaroid Land Cameras and medium format backs since Polaroid has long ago stopped making peel apart film. [Read more…]
Anyone that’s shot a DSLR in a remotely serious manner is aware of the crop factor for APS-C format cameras when compared to their full frame cousins. Nikon and Sony APS-C cameras yield a 1.5x crop factor, while Canon APS-C cameras have a 1.6x crop factor.
And, invariably, if you use the phrase “crop factor,” someone is going to yell at you and tell you that you aren’t cropping anything. However, the term is ubiquitous in identifying the altered field of view caused by using smaller sensors in cameras along with full frame lenses.
We also commonly use the phrase “equivalent focal length” to describe the change in the field of view as captured by an APS-C sensor. For instance, the popular Canon EF 50mm f/1.8 lenses have an 80mm equivalent focal length when used with a Canon Rebel series camera. Of course, most of us understand that this is a misnomer and that the 50mm lens does not change at all to become an 80mm lens when used on a different camera. It is simply that the 50mm lens has a narrower field of view on the Canon Rebel DSLR thanks to the smaller sensor.
For those coming from a digital world to test the film waters with medium format cameras, the 35mm crop factor for medium format lenses and film types can be confusing when a 50mm lens can be ultra-wide and a 90mm lens is considered a normal lens. [Read more…]