In this video, Karl Taylor and Urs Recher walk us through shooting a glass with a design engraved on it. They mix soft and hard light to illuminate the glass and the engraving separately.
In the above video from Phlearn, we learn how to use advanced color tools in Photoshop. Aaron Nace walks through a unique set of tools in the Adobe Color Themes that allow you to choose complementary colors easily.
In this short video, Damien Lovegrove explains how to take low light portraits and retain good exposure and tonal range.
In the first shot, Damien uses a tripod and dials in manual exposure compensation to get the tonal range spot on. In the second shot, Damien uses a monopod and multiple light sources, including a rim light to add depth and separation.
Check out this short video that highlights 10 composition tips with example photos to make your photography more intentional and interesting.
Looking to make your drone footage a little less like consumerish video and a little more cinematic? Check out this video with 15 great tips on making your drone footage more cinematic.
This short video from Profoto shows how shooting with high-speed sync flashes in daylight can help bring back details in the sky. The advantage of high-speed sync is that you can shoot at much higher shutter speeds than the x-sync rating of your camera. Most systems allow you to go up to 1/8000s, which means you can bring ambient light down without needing a ton of light from your flash.
In this case, they used a single B2 head in a softbox to balance the flash and ambient light. While the Profoto kits can be very expensive, the same effect can be achieved using smaller and more affordable speedlights. If name brand speedlight kits are still too expensive, third-party speedlights are available with the high-speed sync feature for less than $100.
Here’s a great video from Linus Tech Tips that gives some insight to the 1080p/4K debate and some practical considerations for shooting, editing and exporting in one over the other. It pays particular attention to online video use (and specifically with regard to YouTube videos) and how they use the Panasonic GH4 and Sony FS700 as 4K shooting options.
I have been a proponent of shooting 4K and editing in a 1080p timeline to afford additional reframing options (or even 1080p footage in a 720p timeline if you are limited to HD cameras). The above video, however, makes the additional argument for 4K exports even if you are working in a 1080p timeline. That’s a new consideration for me but, given how YouTube treats 4K files, is certainly worth considering and testing in the future.
For those of you who shoot video, what format do you prefer to shoot, edit and export?
The flow and opacity settings for the brush tools in Photoshop can be a little confusion. Watch this video (tip: content starts 2 minutes in) from Aaron Nace at Phlearn for a great visual explanation of how the flow and opacity settings work.
The basic idea is that the Flow setting allows you to build up ink over and over again, while Opacity gives you a single value of ink on your brush. These settings come in very handy for dodging and burning on images as the above video demonstrates.
I’ve been using the new DaVinci Resolve 12 beta for the past week since its release. Not really for mission critical stuff, but duplicating projects when I have extra time and learning the work flow. I’ve said before that the new Resolve is what Final Cut Pro X should have been and I’m thinking more and more like that today.
Unfortunately, there isn’t much in terms of training or forum conversations regarding the little features that matter to my workflow. I was ready to kick Resolve 12 to the curb because there didn’t appear to be a way to add audio effects to an entire track via the Track Mixer.
It’s a little different than other NLEs but it’s not too hard to do. [Read more…]
In this video from Phlearn, Aaron Nace walks us through how to select and change colors in Photoshop using Hue/Saturation adjustment layers and layer masks.
As you can see in the video, it’s a pretty simple task. Additionally, you see just how much power there is in using layer masks for you selections so that you can tweak exactly which parts of the image are affected in the final image.