Samyang 16mm T2.2 Cine Lens Announced

Samyang 16mm T2.2 Cine Lens

Samyang has announced a new cine lens based on its 16mm f/2 lens, which will feature geared focus and aperture rings for smooth control using follow focus systems. The Samyang V-DSLR 16mm T2.2 ED AS UMC CS lens should arrive in early September for most DSLR and mirrorless mounts with APS-C or smaller sensors.

Retail price will be EUR 419. No word on US pricing yet; however, based on the price of other Samyang cine lenses, I would guess it will be in the $500-$550 range.

These Demo Videos of Canon 70D’s Dual Pixel AF are Impressive

Canon 70D Top

It looks like Canon has finally developed a live view and video AF system for its DSLRs that will be useful with the new Canon 70D. These embedded demo videos come from the Polish site Optyczne. They show off the new 70D’s Dual Pixel AF system with the Canon EF-S 18-135mm f/3.5-5.6 IS STM lens and the EF 100mm f/2.8L IS Macro lens.

Check out all the short videos of the AF tests below. [Read more...]

‘Adrift’ Timelapse is Mesmerizing View of the Fog of the San Francisco Bay Area

This gorgeous timelapse film was created from footage captured over the course of 2 years around the San Francisco Bay area. Simon Christen spent many mornings on the Marin Headlands capturing scene by scene of what he calls “a love letter to the fog of the San Francisco Bay Area.”

He shot these images with the Canon 7D and Canon 4oD in raw format with exposures generally occurring every 2-10 seconds. Exposure was set in manual mode. On the last shot with the fog engulfing the camera, both the he and camera got pretty well soaked due to all of the moisture from the dense fog.

He uses a sturdy Really Right Stuff tripods for keeping the shots steady and, when necessary, uses software stabilization in After Effects to smooth out some shots.

You can view more of Simon’s work here on his website.

[via John Nack]

Faux Slider Shots with just a Tripod

Here’s a great little trick for getting some motion in your video shots even if you don’t have a slider or a jib. I’ve used a tripod tilted up on two legs quite a bit for cheating dolly-in and dolly-out shots, but the Fenchel & Janisch folks take it a step further with movements along other axes for some cool jib-esque shots. The suggestion of shooting a higher frame rate to smooth out any imperfections in the camera movement when conformed to a lower frame rate is good as well.

[via PetaPixel]