Sony is teasing a new full frame 4K cinema camera for its CineAlta line that is in the works. The camera will feature a 36x24mm sensor and, as Sony says, is “aspect ratio-agnostic,” offering support for Full Frame, Super35 4K 4-perf 4:3 Anamorphic and 4K spherical 3-perf 17:9.
The image sensor is entirely new, while maintaining the workflow established with Sony’s 16bit RAW/X-OCN and XAVC. It will also be compatible with gear and accessories in teh current CineAlta line. You can register for more details when they become available here on Sony’s website.
Product photos of the upcoming Canon Cinema EOS C200 have leaked out ahead of its official announcement. The model name suggests this will slot in between the entry-level C100 Mark II and the more advanced C300 Mark II, the latter of which now offers 4K capture in this latest generation. [Read more…]
Alongside the new A7S II, Sony also introduced a new 4K cinema camera – the Sony PXW-FS5.
The FS5 features a Super 35 CMOS sensor and accepts Sony E-mount lenses. It captures 4K video with the XAVC-L codec at 24p/30p frame rates. It will also capture 1080p HD video at full resolution up to 240fps. [Read more…]
In part 2, they dig more into the SLOG2 and SLOG3 options and how well those handle color correction and grading. Additionally, they talk about the new Sony FE PZ 28-135mm f/4G OSS cinema lens and how it works with the Sony FS7. All in all, it looks like the FS7 is everything that it is cracked up to be. [Read more…]