Off to the side of Panasonic’s booth at NAB 2017, a display showcased Panasonic’s cinema camera lineup from the high end Varicam Pure down to the GH5. But there was a new mystery camera in between the GH5 and Varicam LT. [Read more…]
Alongside the new A7S II, Sony also introduced a new 4K cinema camera – the Sony PXW-FS5.
The FS5 features a Super 35 CMOS sensor and accepts Sony E-mount lenses. It captures 4K video with the XAVC-L codec at 24p/30p frame rates. It will also capture 1080p HD video at full resolution up to 240fps. [Read more…]
In part 2, they dig more into the SLOG2 and SLOG3 options and how well those handle color correction and grading. Additionally, they talk about the new Sony FE PZ 28-135mm f/4G OSS cinema lens and how it works with the Sony FS7. All in all, it looks like the FS7 is everything that it is cracked up to be. [Read more…]
When Leica announced that is new S (Type 007) medium format camera would should 4K video, we all thought that was pretty cool to get 4K capture with 4:2:2 color on the large 30 x 45mm CMOS sensor. However, I had not seen one decked out as a cinema camera until this one on display at the Leica booth at PhotoPlus 2014. [Read more…]