Fusion 8 is a powerful VFX program that is used on tons of Hollywood films like Maleficent, Edge of Tomorrow, Sin City: A Dame to Kill For, The Amazing Spider-man 2 and The Hunger Games trilogy, as well as hit TV shows like Battlestar Galactica and Orphan Black.
Before Blackmagic Design purchased Eyeon (the previous developer of Fusion), version 7 was planned to retail for $2500. Version 6 launched at $5000.
Blackmagic released version 7 for Windows for free – with a Fusion 7 Studio version available for $995. Fusion 8 will continue that trend and, for the first time will be available for Mac OS X, as well as Windows. [Read more…]
Additionally, the URSA gets an option to display timecode input by tapping on the timecode display, along with various other performance enhancements and improvements that are not itemized.
More details available here on Blackmagic’s website.
Blackmagic Design has dropped the prices on its Studio Camera HD and Studio Camera 4K models. The HD model will reduce in price by $300 and the Ultra HD model will reduce in price by $500.
Blackmagic notes that the reason for the price drop is based on customer feedback regarding the lack of use of the fiber connection. Blackmagic has removed the connection from the cameras and made it an aftermarket accessory that can simply be plugged into the camera.
Personally, I think the biggest detraction from the studio cameras is the lack of lens options. Sure there are plenty of Micro Four Thirds cameras in the world and you can buy an adapter for virtually any other lens mount. However, many users would like to put studio B4 lenses on these cameras and that is just a clunky option.
If Blackmagic had built these cameras with a 2/3″ sensor and a native B4 lens mount, I don’t think they could make them fast enough. Sometimes, a bigger sensor is not always the best option.
I’ve been using the new DaVinci Resolve 12 beta for the past week since its release. Not really for mission critical stuff, but duplicating projects when I have extra time and learning the work flow. I’ve said before that the new Resolve is what Final Cut Pro X should have been and I’m thinking more and more like that today.
Unfortunately, there isn’t much in terms of training or forum conversations regarding the little features that matter to my workflow. I was ready to kick Resolve 12 to the curb because there didn’t appear to be a way to add audio effects to an entire track via the Track Mixer.
It’s a little different than other NLEs but it’s not too hard to do. [Read more…]