Alongside Media Composer 7, Avid has unveiled the new Pro Tools 11 with a serious set of upgrades under the hood, including 64-bit architecture and a new audio engine that offers much more processing power over Pro Tools 10.
Highlights of new features in Pro Tools 11 include the following: [click to continue…]
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Avid has released its pro-grade non-linear editor, Media Composer 7, as part of its NAB 2013 news. New features in Media Composer 7 include the following: [click to continue…]
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Red Giant has released PluralEyes 3.1 for Mac OS X, which adds support for Avid Media Composer, MXF support and a new feature called “Do It For Me.”
Details from Red Giant:
PluralEyes 3.1 for Mac is available for $199. Existing PluralEyes 3 users can download the update for free. More details on Red Giant’s website.
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AVID has just announced Media Composer 6, its latest iteration of the go-to NLE for the film and TV industry. As previous leaks indicated, Media Composer 6 supports a new 64-bit architecture, as well as AVCHD and RED Epic support with AMA.
Media Composer 6 also offers enhanced Pro Tools integration, allowing for the transfer of more session data from Media Composer to Pro Tools. MC 6 can also encode to Apple ProRes on Mac systems, and offers new support 3D stereoscopic workflows.
Media Composer 6 retails for $2499, with upgrades starting at $299.
Lots more details, including NewsCutter 10 and Symphony 6 details, in the press release below. [click to continue…]
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Automatic Duck has changed its focus since the big partnership announcement with Adobe. As a result of the inability to provide the level of support that the company has provided in the past, Pro Import AE, Pro Import FCP and Pro Export FCP (both versions, for FCP7 and FCPX) are available at no charge.
You can find them on Automatic Duck’s relaunched website.
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Details on Media Composer 6 were briefly posted on Avid’s website. Upgrades over MC 5.5 include native 64-bit, expanded file-type support with native RED, AVCHD, HDSLR footage support with no transcoding required, complete 3D end-to-end workflow, 7.1-surround audio support, and a whole lot more.
Leaked details are below courtesy of the Avid-L2 newsgroup via FreshDV.
New features and workflows
Full 64-bit power
Fast gets even faster with native 64-bit operation, so even when you layer
together the most complex effects, things will still feel snappy. [click to continue…]
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