Canon adds a new macro lens to its APS-C DSLR line with the new EF-S 35mm f/2.8 Macro IS STM lens. The new macro lens features built-in Macro Lites around the front element. The lights can be configured to illuminate only the left or right side, or both sides for a typical ring light illumination. [Read more…]
In this short video, Gary Fong takes a look at full frame, APS-C and 1.0-type cameras to see how the depth of field is affected at the same effective focal lengths.
The challenge, of course, is that you must change the actual focal length of your lens to accommodate the same field of view on cameras with different sensor sizes. Invariably, this changes the depth of field so that the camera with the smaller sensor appears to have a much greater depth of field, while the full frame camera has a much shallower depth of field.
Gary’s demo is a nice practical demonstration of how these different camera sensors provide different images when shooting the same scene from the same position.
The upcoming Tokina AT-X 11-20mm f/2.8 PRO DX lens went up for pre-order today at a $599 retail price. It should start shipping on March 2, 2015 for both Canon and Nikon mounts.
This is an APS-C format lens, which results in about a 17.5-32mm full frame equivalent field of view. It has a nine-blade diaphragm and internal focusing. Check it out here at B&H Photo.
Sigma announced the new 18-300mm f/3.5-6.3 DC Macro OS HSM Contemporary lens at Photokina 2014 and has now revealed pricing and availability info. [Read more…]
Zack Arias is back again with another nail-meets-head analysis of our world or photography today. This time around, he’s addressing the incessant argument of APS-C vs. full frame cameras.
Zack is a huge proponent of Fuji’s new X-Series cameras and lenses. Lately, he’s been all about the X-T1, which has received nothing but rave reviews since it was released.
Fuji, in general, has been knocking it out of the park with its entire APS-C line of X-Series cameras. And, it seems like each one is getting better. Expect to see more from Fuji at Photokina in September.
Likewise, there are plenty of solid APS-C and Micro Four Thirds cameras from Sony, Panasonic, Olympus and so on. If APS-C floats your boat, then by all means climb aboard. I think Zack’s overall points are well made. It really boils down to what tool works for you and your needs.
I am frequently asked about recommendations for cameras by a variety of users. Just in the past month in one-on-one conversations, I’ve recommended Sony APS-C and full frame, Canon’s 6D and 70D, Panasonic GH4, GoPro and Sony RX100 models to different people based on their skill levels and intended uses.
What’s your take on the APS-C vs. Full Frame argument?