See the highlights of the various updates in the 3-minute overview video below. [Read more…]
In this video from Cal Thomson, he shows you how to create a hyperlaspe using a DSLR and tripod. The hyperlapse effect was recently made popular as an application from Instagram. The mobile Hyperlapse app takes care of the image stabilization automatically.
In order to stabilize a hyperlapse you have created from your DSLR, however, you have to perform stabilization in post production using tools like warp stabilizer in After Effects, which Thomson covers in the above video.
After a tease last week, Red Giant has taken the wraps off of Universe and launched a public beta of the new community centered around editing and filmmaking plug-ins and tools. [Read more…]
Adobe has updated Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC and Media Encoder CC. Notably, this is the fourth update to Premiere Pro CC since the application made its debut earlier this year. The new updates add several new features and bug fixes. [Read more…]
The popular slow-motion plug-in, Twixtor, has been updated to version 6, and now includes GPU acceleration for After Effects, Premiere Pro and Final Cut Pro (7 or X). The update provides speeds up to 5x faster than with the CPU-only.
Adobe users need CS5 or later for PP or AE, while FCP users need FCP 7 or FCP X 10.0.8 or higher. Additional GPU and system requirements can be found here on RE:Vision Effects’ website.
Twixtor Pro v6 runs $595, while the standard version is $329.95. Upgrades for Twixtor standard are $82.49 and Twixtor Pro are $149.95. More details here on Twixtor’s pricing page.
This gorgeous timelapse film was created from footage captured over the course of 2 years around the San Francisco Bay area. Simon Christen spent many mornings on the Marin Headlands capturing scene by scene of what he calls “a love letter to the fog of the San Francisco Bay Area.”
He shot these images with the Canon 7D and Canon 4oD in raw format with exposures generally occurring every 2-10 seconds. Exposure was set in manual mode. On the last shot with the fog engulfing the camera, both the he and camera got pretty well soaked due to all of the moisture from the dense fog.
He uses a sturdy Really Right Stuff tripods for keeping the shots steady and, when necessary, uses software stabilization in After Effects to smooth out some shots.
You can view more of Simon’s work here on his website.
[via John Nack]