I waited patiently for a couple of years or so since I first heard about a Navy Seal movie Shane Hurlbut ASC was shooting on the Canon 5D Mark II. I’ve read about how Shane lit night scenes with practicals, numerous mentions of his man-cam and helmet cam rigs, and how Zeiss lenses worked in tandem with the 5D Mark II for a big screen blockbuster.
It hit theaters yesterday. And, I set out last night with a few friends to watch it. I was not disappointed. [click to continue…]
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