B&H has Adobe Photoshop Elements 14 for $44.99 (reg. $99.99) as its Deal Zone deal for today only (3/28/16). Both the download and the physical copies are on sale. Check it out while it lasts here at B&H Photo.
Adobe has updated Bridge CC to version 6.2 and added some important user experience and asset management features to it. Key features in this update include: [Read more…]
In this video from Karl Taylor, he walks us through one of his tips using the mulitiply blend mode and masking around some details in Photoshop to add more drama to the sky in landscape images.
Photoshop’s automated alignment tools are quite impressive; however, they aren’t perfect. When auto-alignment fails to work the way you need it to, sometimes it just means you have to do the work yourself.
In this video from Ian Norman, he walks us through the process of processing Milky Way astrophotography images by manually aligning them in Photoshop in order to reduce noise and bring out more detail in the images.
If you are looking to improve your astrophotography images, Ian’s videos are worth a watch. Even if you are doing other types of image stacking, you can probably learn a thing or two from Ian’s workflow.
In the above video from Phlearn, we learn how to use advanced color tools in Photoshop. Aaron Nace walks through a unique set of tools in the Adobe Color Themes that allow you to choose complementary colors easily.
The flow and opacity settings for the brush tools in Photoshop can be a little confusion. Watch this video (tip: content starts 2 minutes in) from Aaron Nace at Phlearn for a great visual explanation of how the flow and opacity settings work.
The basic idea is that the Flow setting allows you to build up ink over and over again, while Opacity gives you a single value of ink on your brush. These settings come in very handy for dodging and burning on images as the above video demonstrates.
In this video from Phlearn, Aaron Nace walks us through how to select and change colors in Photoshop using Hue/Saturation adjustment layers and layer masks.
As you can see in the video, it’s a pretty simple task. Additionally, you see just how much power there is in using layer masks for you selections so that you can tweak exactly which parts of the image are affected in the final image.