Tamron 28-300 VC (Vibration Compensation)

Tamron 28-300 VCLooks like Tamron is jumping on the super-zoom image stabilized band wagon the new Tamron 28-300 f/3.5-6.3 XR Di VC lens that was announced today. Bob Atkins has a handy preview article. You can also check out the features in the press release below.


Mr. Morio Ono, President of Tamron Co., Ltd., has announced the successful development of the AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) MACRO zoom lens, a high power zoom lens designed for SLR cameras with full-size format(Model A20), now equipped with a Vibration Compensation (VC) mechanism. The AF28-300mm F/3.5-6.3 XR Di VC is the ultimate high power zoom lens that covers everything from wide-angle to telephoto and macro. Tamron has incorporated a Vibration Compensator, an anti-shake mechanism developed by Tamron, into the highly versatile zoom lens. The new AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) MACRO zoom lens offers the convenience, comfort and versatility of a high power zoom lens and the capability to reduce hand-shake blur on SLR cameras using either APS-C size or full size format imagers.

When the AF28-300mm F/3.5-6.3 XR Di VC is used with a full size format SLR camera, it covers the tremendous focal length range from 28mm in wide angle to 300mm ultra telephoto. When mounted on a DSLR with an APS-C sized imager, the lens covers a 43mm wide angle to 465mm equivalent ultra telephoto* (full size format equivalent, in a diagonal angle of view of 5°20′).

(*) The ratio Tamron uses to convert from full size format to APS-C focal length is 1.55X.


1. VC (Vibration Compensation) Mechanism Reduces Hand-shake

The proprietary VC (Vibration Compensation) mechanism developed by Tamron features a triaxial configuration using three pairs of driving coils and slide balls around the compensator group of the lens’ optical system. Since the compensator lenses are supported with rolling friction of the balls, the response performance is enhanced and the construction is simple, which results in the compactness of the lens. The lens incorporate a highly accurate gyro sensor for detecting hand-shake, which, combined with a 32-bit RISC CPU, offers comfortable anti-vibration effects.

2. Outstanding Design Realizing High Zoom Power, VC Mechanism and Compactness

The AF28-300mm F/3.5-6.5 XR Di VC integrates optical technologies that Tamron has accumulated as the pioneer and leader of high power zoom lenses in order to realize the desired compactness even while incorporating the VC mechanism. The optical system uses a number of lens elements made from special optical glass materials including XR (high refraction index) glass elements, GM (glass-molded aspherical lens) elements, hybrid aspherical elements, LD (low dispersion) glass elements to compensate for on-axis and lateral chromatic aberrations and AD (anomalous dispersion) glass element. The lens offers high contrast, high resolution performance and flatness of the image field as a one-does-it-all zoom lens designed to match the characteristics of DSLR cameras.

3. Revolutionary MFD of 0.49m (19.3″) throughout the Zoom Range Provides 1:3 Macro Magnification Ratio

The AF28-300mm F/3.5-6.3 XR Di VC LD MACRO boasts an MFD (minimum focusing distance) of 0.49m (19.3″) over the entire zoom range, a top-class closing focusing capability among high power zoom lenses for full-size format SLR cameras, which provides the remarkable maximum macro magnification ratio of 1:3 at the 300mm telephoto end.

4. Internal Surface Coatings Minimize Ghosting and Flare

Through the use of “Internal Surface Coatings” (i.e., multiple-layer coatings on cemented surfaces of plural elements) and multiple-layer coatings to prevent reflections from lens surfaces, ghosting and flare due to reflections that occur when light enters through the front element as well as reflections caused by the imager itself in the mirror box are reduced to the absolute minimum.

5. Ultra-high Zoom Power, yet Lightweight and Compact Design Thanks to New Mechanical Devices

Tamron has reviewed the roles that respective barrel parts play in order to achieve the high power, compactness and light weight. As a result, dimensional increases are confined to a mere 17.8mm (0.7″) in overall length and about 5mm(0.2″) in diameter, when compared with the existing AF28-300mm (Model A061), despite the incorporation of the VC mechanism.

6. Zoom Lock Mechanism for Enhanced Portability

The zoom lock prevents unwanted barrel extension when carrying the lens/camera combination over the shoulder.

7. Flower-shaped Lens Hood

A flower-shaped lens hood is included as a standard accessory. The special hood provides optimum shading of superfluous light rays that enter from the rectangular frame outside the image field.


Model Name A20

Focal Length 28-300mm

Maximum Aperture F/3.5-6.3

Angle of View 75°23′-8°15′

Lens Construction 18 elements /13 groups

Minimum Focus Distance 0.49m (entire zoom range)

Maximum Mag. Ratio 1:3 (at f=300mm, MFD=0.49m)

Filter Diameter φ67mm

Overall Length 99mm *

Maximum Diameter φ78.0mm

Weight 550g*

Diaphragm Blades 9 blades

Minimum Aperture F/22-F/40 (28mm – 300mm)

Standard Accessory Flower-shaped hood

Compatible Mount Canon and Nikon

* values given are for Nikon AF-D cameras.

* The cosmetic design and specs are subject to change without notice.

It’s Official: Nikon D40x is here

Nikon has officially announced the release of their new 10MP follow-up to the 4 month old D40, which is 6MP. Talk about short product cycles! It’s $799 (US) retail with the 18-55 DX lens. You can already pre-order a D40x at Amazon.
The tech specs are here for your review. Note the 3 frames per second, 1/200s flash sync and continued limitation of autofocus with AI-S and AF-S lenses. If you want to browse the brochure, it’s here (.pdf).

DPReview has a detailed hands-on review of the D40x. You can find several different shots of the D40x from various angles and showing off the body features in the product gallery.  Ken Rockwell has a nice preview too and points out why you should buy the D40 over the D40x or just jump up to the D80 instead.
In addition to the D40x, Nikon has also announced a new lens: the Nikon AF-S DX VR 55-200mm IF-ED lens. That’s right, another VR lens to choose from. Nikon is making quite a stable of VR lenses now. What’s most impressive to me though is that the retail price is $250! Don’t believe me? Read the press release.

I’m really wondering about the Nikon D3 now.

Nikon D3 Reviews and Resource Page

Nikon D3

Finally, the Nikon D3 has been announced. This page will be ground zero for all the latest details on the Nikon D3 (e.g., reviews, sample images, availability, and more). For now, check out the preview below along with the official links from Nikon. Additionally, you can view the official press release here and check out all the press release images of the Nikon D3 in this slideshow.

You can order the Nikon D3 from Amazon and keep track of the Nikon D3′s availability on this page.



The first impression from the D3 comes from its size and weight. At around 1.5kg (3 lbs) with battery, this is one of the heaviest DSLR. Its integrated vertical grip and large pentaprism make this camera one of the biggest. It feels built-like-a-tank.

Photo.net (by Shun Cheung)

For those who would like a DSLR optimized for sports, news, and wedding photography, the D3 is probably the top choice. Since the D3 can handle ISO 3200 easily and provides very acceptable 6400 results, it changes the approach to indoor and low-light photography.

Digital Camera Review

Unparalleled ISO performance, a 9 fps full resolution shooting rate, exceptional color and image quality, a superb monitor, robust construction, outstanding build quality and a full frame sensor offering wide angle and depth of field lens performance like a 35mm film camera are some of the attributes that makes Nikon’s latest pro model a must-have for serious Nikon shooters.


The Nikon D3 has got to be the top choice for anyone wanting high quality, rapid-fire image capture, or extremely low light photography without flash, who is not otherwise wedded to the Canon system. Press – sports and news – photographers are the ones who are going to get the most out of its capabilities, which stretch beyond those needed by the average photo hobbyist, and these professionals are also the ones most likely to be able to stomach that price tag without complaint.

Richard Costin

One thing that became very clear when first looking at a D3 RAW file is just how much you can push them exposure wise. The latitude available is astounding and I actually have to try to blow highlights in most situations when shooting raw.

Popular Photography

Even at ISO 200, the added light-gathering capability of the larger pixels on the D3′s full-frame sensor beats the D300. Shooting RAW takes advantage of its lower noise and 14-bits-per-color capture. And it gives you much more flexibility, especially when using the supplied Capture NX 1.3 software to convert NEF RAW to 16-bit TIFF files.

Luminous Landscape (Combined Essay on D3 and D300)

We now have a bit of a sea change happening. Nikon has flexed its considerable muscle and with the D3 produced a camera that sends a clear challenge to Canon’s nearly decade-long dominance of the digital arena. The D300, though in many ways simply a logical progression from the D200, is a much better camera than its predecessor, and along with its superior sensor offers the pro and advanced amateur a set of features and functionality that is unmatched at the moment in Canon’s line up.

Photo Business Forum (Comparison to Canon 1Ds Mark III)

For large commercial jobs, where I am thinking I want a higher native resolution, it’ll be the Canon I reach for. For low light situations, which are all too common, it will, without a doubt, be Nikon. In fact, with the noise issue out of the way, and most client deliverables needing to be down-rezzed anyway, I can see that the Nikon not only would be a better solution to speeding up my post-production process, but moreover, storing the RAW/DNG files will save me significant hard-drive space in my archives over the larger Canon files.

Ken Rockwell

Call me a sucker for beauty, as all photographers should be, but I think half of why I want a D3 isn’t logic or the photos I could make with it, but simply because it is so beautiful. It makes me want to have and to hold it.

Bjorn Rorslett

My conclusion is that you will get image quality from D3 to satisfy even the critical needs, for almost any application to which the 35 mm systems can be used.

Luminous Landscape’s first impressions

I NEVER shoot on auto exposure. In fact I don’t think I have even used autoexposure on the Contax or Canons more than once, but since Nikon handed me this camera set on Auto I just thought I would see what happens, and it was dead on perfect, almost to the point I couldn’t trick it unless I was in extreme 5 stop backlight. Set to Matrix metering it just completely surprised me how accurate it was. From time to time I would moved the little +/- dial from .3 to .7 but usually the meter was dead on, even in mixed lighting.

Cliff Mautner’s first impressions

My first impressions, as expected, were mind blowing. To be brief, I’m stunned at how responsive this camera is and I didn’t believe there was much room for improvement to the way the D2xs handled. I was clearly wrong. The Focus, feel of the shutter, focus point selection, enormous LCD, auto white balance, dynamic range, color rendition, and a few other things have all been written about and touted, but nothing prepared me for the incredible quality of the files out of camera. In addition, the high ISO performance, which was also talked about, is nothing short of revolutionary.

This camera literally changes the rules of photography and will simply allow me to capture things like never before.

Scott Kelby’s first impressions:

Q. Is the D3 really usable at very high ISO (6400 and more), as promised in the advertisements?
A. I didn’t actually try it at higher than 6400 ISO, but the test shots I took at 6400 ISO were absolutely usable. In fact, they were shockingly usable, and I think you’ll see working pros shooting at 6400 ISO with the D3. When you zoom in, you can definitely see noise, so it’s by no means “noise free,” but the amount of noise at 6400 ISO was dramatically less that I would have expected. In reality, I don’t know how often any of us will be shooting at 6400 ISO (but it’s nice to know that in a pinch; you can), but I can say with certainly that on the D3 I would shoot at 1200 ISO without hesitation.

DPReview has posted their hands-on preview of the Nikon D3:

Important headline improvements include high sensitivity support by default, up to ISO 6400 with 25600 available as a boost option, 14-bit A/D conversion, a new standard image processor, a new shutter, new auto focus sensor, focus tracking by color, nine frames per second continuous, dual compact flash support, DX lens support (albeit at lower resolution) and a 3.0″ 922,000 pixel LCD monitor (which it has to be said is lovely).

Moose Peterson has some hands-on time with the Nikon D3 along with some brilliant sample images:

What is amazing to me is the color retention of the new color engine and what you can’t see here, the beautifully crisp, sharp files the D3 produces. The files truly are a work of art. The new LCD while not the best at color & exposure rendition, it does show sharpness better than any other LCD I’ve used.

Here’s a 10 minute interview with Lindsay Silverman, Nikon’s Senior Technical Manager, about the new Nikon D3.

Check out some sample images from the Nikon D3 at ISO 3200.

Thom Hogan has some rather thorough First Impressions of the Nikon D3 and D300. He also has a great FAQ on the D3 and D300 to some of the questions that have been floating around the forums.

Check out Rob Galbraith’s initial impressions of the Nikon D3:


“We can say that in limited testing of a prototype body, the D3′s ability to hold and repeat focus on static subjects is impressive, but whether the Multi-CAM 3500 will be what helps Nikon replace a few white lenses on the sidelines is an open question”

High ISO:

“based on a look at ISO 1600 – ISO 25,600 frames produced by prototype D3 bodies, including a handful we shot ourselves, the camera looks like it will produce low light photos that are both massively cleaner and more usable than the D2Xs and in the same ballpark as Canon’s EOS-1D Mark III (which is the D3′s primary competition)……We’ll need to shoot with a production D3 under real-world conditions to find out whether it approaches, meets or exceeds the EOS-1D Mark III in high ISO image quality. But based on what we’ve seen so far, it’s safe to say that the D3 will produce photos of dramatically better quality than the D2Xs at ISO 1600 and up.”

“A 3-inch (diagonal), 170 degree viewing angle rear LCD that is so crisp and clear you’ll never want to use another rear LCD to review your pictures again. Its 920,000-dot resolution makes it possible to judge critical focus when zoomed in to nearly full magnification. In fact, it’s like looking at a screen without pixels; they’re so small as to be invisible when looking at photos at even abnormally close viewing distances”

Shiny Video has a hands on video preview of the Nikon D3.

Imaging Resource has a report from the Tokyo press announcement with initial impressions of the Nikon D3 and D300.

Gizmodo has an initial hands on impression of the Nikon D3 and D300 with a ton of images of the new cameras.

I did have a bit of trouble navigating the D3′s controls despite the emphatically touted Italian design and had to ask for some help, but I wasn’t overly familiar with its predecessor, which could be why I had some trouble. The D300 has a simpler layout, so I had an easier time.

Official Nikon Pages

Nikon D3 “Special Site” from Nikon Global.

Nikon D3 Instruction Manual (.PDF).

Nikon D3 Digitutor Videos and more.

The Nikon D3 product page from Nikon Global.

Here is the Official Nikon D3 brochure/spec sheet (.PDF).

Nikon D3 Accessories

Nikon WT-4A Wireless Transmitter

Nikon Type E Focusing Screen w/ Gridlines

Nikon Type B BriteView Clear Matte VI Focusing Screen

Nikon SB-800 Speedlight

Nikon SB-600 Speedlight

Nikon D3 Magic Lantern Guide

Nikon D3 PhotoBert Cheat Sheet

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.


Major Features

New large image sensor developed by Nikon; 12.1 effective megapixels

The D3 employs an FX-format CMOS image sensor with a sensor area of 36.0 (H) x 23.9 (V) mm. It offers superior picture quality throughout a wide sensitivity range with such advantages as a large pixel size to ensure high S/N ratio and wide dynamic range, adoption of an element structure that improves light-utilization efficiency. In addition, high-speed 12-channel readout enables fast continuous shooting for 12.1-megapixel images at approximately 9 frames per second, as well as high-speed performance to ensure shooting in Liveview modes.

Wide sensitivity range

Sensitivity range is extremely wide, from ISO 200 to 6400 at normal setting. High picture quality without noise is realized not only at low sensitivity setting, but also at high settings such as ISO 6,400. Even in dark conditions in which satisfactory results were almost impossible to obtain before, high-quality pictures can be taken. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), and decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3. All these settings expand the shooting possibilities.

High-speed performance

Shutter release time lag is only 37 ms*, equivalent to the Nikon D2XS, which is generally regarded as a mechanical limit. Continuous shooting speed is approximately 9 frames per second with FX format (36 x 24) or 5:4 (30 x 24), approximately 11 frames per second with DX format (24 x 16). The Nikon D3 is also the first digital SLR compliant with next-generation high-speed card UDMA, that enables 35-Mbyte recording speed, approximately 4 times as fast as the Nikon D2XS. Approximately 6-megapixel JPEG-Large-Fine image data taken with the FX format can be recorded at a speed higher than 5 frames per second. Startup time is approximately 0.12 second, shorter than the D2XS by 0.08 second.

* 41 ms if based on the new CIPA guideline to be established around August 4, 2007.

EXPEED — Nikon’s image processing concept embodied

As Nikon’s new digital image-processing concept — featuring the core ideas of our image creation and processing — EXPEED incorporates the optimized knowhow and technologies we have accumulated throughout our long history while receiving users’ requirements. It realizes diversified functions to ensure high picture quality and high-speed image processing.

Picture Control System

Picture Control System is a new function to enable selection and adjustment to create pictures easily according to skills of users from novices to professionals. When settings are the same, even with different cameras, you can get the same picture tone. Picture Control System offers four fundamental setting options — Standard, Neutral, Vivid and Monochrome — enabling image parameters (sharpening, tone compensation, brightness, tone and saturation) to be easily adjusted and customized.

AF system employing high-density 51-point AF

Multi-CAM 3500FX autofocus sensor module featuring 51 AF points is incorporated. 15 cross-type sensors located in the center provide subject detection capability with lens apertures as small as f/5.6. 51 AF points can be utilized in various focus area modes selected according to subject condition. In many aspects, the functions of AF points are linked with the Scene Recognition System to offer superior subject detection and focus tracking performance. A single AF point can be selected from 51 or 11 focus points. Dynamic AF mode enables appropriate focusing by detecting subjects with a zone containing many AF points located densely. In this mode, the number of AF areas, including user selected AF points and backup points, can be selected from either 9, 21 or 51. In addition, newly employed “3D tracking” mode shifts the focus point automatically to respond to the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position in selecting AF points.

Scene Recognition System

By improving the 1,005-pixel RGB sensor, which was first incorporated in the Nikon F5, information from the sensor can be utilized for auto exposure, auto white balance and autofocus. For example, 3D tracking in AF realized by using the Scene Recognition System tracks subject position, and automatically shifts AF points to be used according to the subject’s movement within the frame. This system also contributes to improved accuracy of auto exposure and auto white balance.

Three image areas available

With the Nikon D3, users can select one of the three image areas — FX format (36 x 24), DX format (24 x 16) or 5:4 (30 x 24).

When a DX NIKKOR lens is attached, DX format is automatically selected. With DX format or 5:4 format, an area not covered by the sensor is automatically masked in the viewfinder. High-definition, 3-inch VGA, TFT LCD monitor with wide-viewing angle Ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides 170° viewing angle. Large monitor is quite effective when confirming focus with enlarged playback images. Wide-viewing angle enables easy recomposing of the frame in Handheld mode of Liveview.

Two Liveview modes available

Liveview function enables shooting while confirming subjects in the LCD monitor.

In Handheld mode, which allows recomposing of the frame prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points including 15 cross-type points is activated.

Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. In this mode, focal-plane contrast AF on a desired point within a specific area is possible. Remote view, focusing and shooting are also made possible on a PC (wired or wirelessly).

Optical finder with 100% frame coverage and 0.7x magnification in FX format

SLR-type viewfinder featuring eye-level pentaprism with high refraction index provides 100% frame coverage and 0.7x magnification. Large and bright viewfinder image ensures comfortable focusing, which is one of the advantages of the FX format.

Eyepoint is 18 mm (at –0.1 m-1), and diopter can be adjusted within the range from –3 to +1 m-1.

Superior durability

Magnesium alloy is used for exterior cover, chassis and mirror box to ensure both lightweight and ruggedness. Also, strict sealing with O-rings at various connected parts effectively resists dust and moisture.

Shutter unit developed and manufactured by Nikon employs shutter blades made of new materials (hybrid of carbon fiber and Kelver). Excellent durability is guaranteed with 300,000-cycle release tests with the shutter actually loaded. Precision is also maintained with shutter monitor.

CF card double slot

Two CF cards can be set, realizing consecutive recording, simultaneous recording, RAW + JPEG separate recording, and copying of data between two cards. Because two cards of the same kind can be used, users do not have to prepare different kinds of storage media.

Exclusive Wireless Transmitter WT-4 (optional)

The WT-4 supports wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates thumbnail mode as a new function.

It realizes wireless connection of cameras with a PC, enabling thumbnail display of images taken with up to five of them and downloading of images selected. Also, by using Camera Control Pro 2 (optional), wireless remote view/control shooting is made possible with the D3’s Liveview function.

Active D-Lighting

D-Lighting incorporated in the conventional digital SLRs enables editing after the image is taken. In addition to the D-Lighting, newly developed Active D-Lighting is employed in the Nikon D3.

Active D-Lighting lets users choose the intensity from among “High”, “Normal”, “Low” or “Unchanged” prior to shooting. The conventional method of simply expanding dynamic range is not employed in compensation. Instead, localized tone control technology is utilized to prevent images from looking flat with low contrast. As a result, “lost highlights” and “lost shadows” are well compensated while maintaining proper contrast.

Fine adjustment function for AF

If there is a slight difference in focusing point among lenses, users can finely adjust it.

Two methods are available. In specific adjustment, a certain level of compensation set for each registered lens is applied when the lens of the same type is attached. In uniform adjustment, the same level of compensation is applied regardless of the lens used. Up to 20 lenses can be registered.

Improved Function button feature

Besides the exclusive Function button, this feature can be assigned to the Preview button and AE/AF Lock button, giving photographers optimum operability in a flexible way.

HDMI output (High-Definition TV) supported

The Nikon D3 is compliant with HDMI (High-Definition Multimedia Interface) Ver. 1.3a which enables transfer of world-standard video and audio signals. Standard Type A connector is employed.

Info display

Various shooting information such as shutter speed, aperture is displayed in the LCD monitor. Color of characters can be selected according to lighting condition — black for light locations, white for dark locations. Auto switch mode can also be set.

Digital level incorporated

By utilizing a sensor incorporated in the body, the inclination of the camera is detected and displayed in the top control panel and viewfinder.

Image-management software ViewNX/Nikon Transfer included in the Software Suite CD-ROM

ViewNX is a viewer application to offer quick display of images, while Nikon Transfer provides simple transfer of taken images to a PC.

Designed by Giugiaro

“Ergonomic” is a new design theme that will be a standard of Nikon’s new-generation digital SLRs. This is applied to every detail including inclination of command dial and top control panel as well as comfortable holding and handling, e.g. shape of a grip. To support photographers’ concentration, curves of the pentaprism top, grip and side panels are directed to the center of lens’ optical axis, and the red, triangular motif has been redesigned to project a sharper image.

[tags]nikon, d3, d3x, d3h, review, rumors, news, norm olsen, concept, announcement, price, availability[/tags]

Canon EF 28-80mm f/3.5-5.6 II Lens Reviews

The Canon EF 28-80mm f/3.5-5.6 II lens is standard zoom lens with the same optical system, construction, and exterior as the EF 28-80mm f/3.5-5.6 V USM. The difference is that it uses a DC motor instead of a USM to drive the AF. It was included as a kit lens with older entry level Canon SLRs back in their heyday and is generally regarded as having rather poor optical quality.


The Digital Picture

The Canon EF 28-80mm f/3.5-5.6 II Lens is very soft wide open – especially at 80mm. Stopping down at least 1 f-stop is required to get reasonable sharpness. Corners are soft at 28mm.

Fred Miranda Forums User Reviews

The Canon 28-80 may be a kit lens but it comfortably outperformed the Sigma zoom in my tripod-mounted test shots at all apertures within its limits at 28mm, 50mm and 70mm.

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices.

[tags]Canon, EF, 28-80mm, f/3.5-5.6, II, lens, review[/tags]

Canon EF 16-35mm f/2.8L USM Lens Reviews

The Canon EF 16-35mm f/2.8L USM is an ultra-wide-angle zoom that offers a broader view, fast aperture, and closer focusing down to 11 in. (.28m). The first EF wide-angle zoom to combine three Aspherical elements and Canon’s UD glass, the lens remains compact while providing superior image quality across its range. Constructed to pro standards, it’s also highly resistant to dust and moisture. (Canon)


The Digital Picture

At 16mm, the 16-35 L is very sharp in the center even wide open (f/2.8) and improves little when stopped down. The 16mm full-frame corners are soft wide open (with a flat target – because of field curvature) and improve noticeably at f/5.6. At 16mm with a close subject distance, strong barrel distortion is noticeable even on a FOVCF body.


All-in-all it is a very good lens but if you don’t need the f/2.8 setting and that extra mm at the wide end you may as well save quite some bucks by preferring the EF 17-40mm f/4 USM L which performs basically just as good.

Luminous Landscape

If you are in the market for a new wide-angle lens, I definitely recommend spending the extra $250 and getting the new 16-35L. In terms of sharpness, contrast, and extra features, you will get your monies worth.

Ken Rockwell

This is your lens if you need the absolute widest zoom available from a top-drawer manufacturer for a full-frame camera.

WL Castleman

The greater widefield capabilities of the EF 16-35 L (108° diagonal field of view compared to 74° diagonal field of view for the 17-40L) make the relatively minor differences in corner sharpness and chromatic aberration a small price to pay for those seek the widest possible ultrawide zoom performance.

Fred Miranda Forum User Reviews

Overall I would rate this lens 9 out of 10. I got it back in November 2006 and after a year I can say that 16-35L Mark I is an excellent wide angle lens. I shoot with FF bodies and I guess this is pretty much the reason why I went for it. 16mm is quite wide on my 5D and 1Ds.

Photography Review User Reviews

this lens is an excellent choice for your line-up of quality lenses. i am slowly converting to an all L-series line-up, all f/2.8 lenses. i cannot stress enough how amazingly beautiful this lens is, as well as all of the other L series.

PBase Sample Images

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your gear through these links helps support this site.

[tags]Canon, EF, 16-35mm, f/2.8L, USM, lens, review[/tags]

Canon EF 28-90mm f/4-5.6 II USM

The Canon EF 28-90mm f/4-5.6 II USM lens is one of the former kit lenses of the Rebel series film SLRs.  The image quality is generally not regarded as all that great.  Additionally, the zoom range is ill-suited for the newer 1.6x crop-sensor DSLRs.  As an update from the prior non-USM version, it is a lightweight lens (only 6.7 oz./190g) and also has a revised exterior appearance, highlighted by a rubber zoom ring.


The Digital Picture

The Canon EF 28-90mm f/4-5.6 II USM Lens is sharper at the wide end rapidly progressing to soft at 90mm. Wide open sharpness is not bad at 28mm, but the corners are soft until the lens is stopped down to f/8. The 28-90 II is very soft wide open over most of the balance of the focal length range.

Fred Miranda Forum User Reviews

I got this lense as a gift with my Elan 7 – my first SLR in 20 years. I shot a couple of dozen rolls with this lense and loved many of the pictures I got with it. It was only after getting my 10D and reading up on lenses that I realized this was a very cheap entry level zoom. After comparing it to a 50mm 1.4 and a few other L lenses I realized that pictures could be much better than lense was capable of capturing.

Photography Review User Reviews

Nice lens despite of the very cheap look. Sharpness and distortion are ok for the price tag, after all it’s an under $100 3x zoom range lens. Focusing is not lightning fast but ok for amateur use.

PhotoSig User Reviews

As a general purpose lense it is fine. I am a travel photographer and tend to take this lense on the road because of its light weight, near silent and extremely fast auto focus system.

SLR Gear User Reviews

This lens usually comes as part of a kit (along with an entry level film SLR). It’s lightweight, which pretty much sums up the good stuff I can say about it. Oh, plus at least this version come with USM.

Where to Buy

First off, consider going to your local camera store. By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices.

[tags]Canon, EF, 28-90mm, f/4-5.6, II, USM, lens, review[/tags]

Canon 10D Reviews

The Canon EOS 10D is a discontinued 6.3-megapixel semi-professional digital SLR camera, initially announced on February 27, 2003 at a price point of $1,999 without lens ($1,599 street price). As of early 2007, factory refurbished units are about $600. The 10D replaced the Canon EOS D60, which is also a 6.3-megapixel digital SLR camera. Additionally, the 10D does not accept EF-S lenses.


Steve’s Digicams

The 10D’s images are excellent, the resolution is the same as the D60 but there’s less noise and artifacts visible. Even the higher ISO 400 and 800 shots are noticeably “cleaner” and I was surprised to see very useable ISO 1600 images.


I have no concerns in stating that as things stand (at the time of writing this review) the EOS-10D is the absolute best in class, with the best image quality, lowest high sensitivity noise, superb build quality and excellent price (not to mention the huge choice of lenses).

Digital Camera Resource Page

The Canon EOS-10D is the best deal out there for a digital SLR camera.

Luminous Landscape

There are two new features found in the 10D that don’t even exist in the 1D and 1Ds. The first is an automatic orientation sensor that tells the camera if a shot has been taken vertically or horizontally and then tags the image so that it shows up with the correct orientation on screen. The second is a feature which I’ve been asking Canon for for a couple of years; a mode which automatically switches from single shot focus to focus tracking if the subject starts moving. Hooray!


Though not without its quirks, the 10D is a great candidate for a first digital SLR.

Digital Outback Photo

Canon has now with the 10D (excellent price/feature/quality ratio), 1D (the action champion) and 1Ds (defining digital state of the art) a very strong offering of digital SLRs. We hope that this will keep Nikon and Fuji busy to follow up.

Imaging Resource

The EOS-10D will immediately dispel any longing for the D60 though, as it’s a genuinely more capable camera in almost every respect. While the image sensor still has the same ~6 megapixel resolution, the numerous upgrades in nearly all other aspects of the cameras operation (most notably in the AF performance) really makes the 10D a whole new camera.

Mac Dev Center

When Canon started shipping the EOS 10D in March 2003, digital photography took a turn for the better. From the first grip of the magnesium body, this SLR feels right at home. Better yet, it shoots like a real camera.

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site. You can still find some used a refurbished 10D bodies popping up on these sites.
[tags]canon, eos, 10d, reviews, price, availability, order[/tags]

Canon 1Ds Mark II Reviews

The Canon EOS 1Ds Mark II is a top model in the Canon EOS DSLR line, with a full-frame 16.7 MP CMOS sensor. A professional grade camera body, the EOS 1Ds Mark II is large, ruggedly built, and is dust/weather-resistant. The Mark II is the successor to the 11.4 MP Canon EOS 1Ds and has been replaced by the 21.1 MP Canon 1Ds Mark III.



Performance is another area which impresses, of course we all expect a professional digital SLR (especially one with this price tag) to operate quickly and be instantly responsive to our every request. But when you consider that this camera wasn’t designed for the fast-shooting sports market it’s equally amazing to use it and realize that in many ways it is just as capable at continuous shooting as it is at delivering superb resolution. Four sixteen megapixel frames per second for 41 frames without stopping is something mighty.

Luminous Landscape

In the end, the 1Ds Mark II stands alone, (for the moment at least), as the camera with the combination of highest image quality and fastest handling available. There are faster cameras and there are higher resolution digital solutions (various 22 Megapixel backs, and soon the Mamiya ZD 22 MP camera). But for the money, the size, the versatility, and the performance, the Canon 1Ds Mark II is currently king of the hill.

Digital Outback Photo

Very clean files up to ISO 400. Even ISO 800 looks excellent and ISO 1600 is very useable too. This seconds the findings we had with some real world nature shots in Sedona that behaved very well at ISO 400. This excellent ISO behavior is more important to us than even the extra resolution.

The Digital Picture

Is the Canon EOS 1D Mark II for professionals only? Definitely not. Having excellent quality in-focus images appeals to a large number of non-professional enthusiasts as well. Keep in mind – all of us are capable of taking bad pictures with the best camera available. The Canon EOS 1D Mark II has the ability take your photography to a very high quality level.

Steve’s Digicams

The Mark II is an excellent value for the pro who needs its increased resolution and improved performance, and to the extent that the Mark II enables them to earn more income, they will buy it. But to the rest of us mere mortals, justifying an $8000 camera plus the necessary upgrades in computer and memory resources is a big stretch, one not many enthusiasts and semi-pro’s will make.

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.

Nikon D2H Reviews and Resources

The Nikon D2H is 4.1 MP DX format professional DSLR, which was introduced in July 2003. Nikon refined and replaced the D2H with the D2Hs in 2005, adding new features developed with the flagship D2X Digital SLR. See a comparison of features improvements and changes between the D2H and D2Hs at DP Review.


Thom Hogan

Acuity is good, color is excellent, and noise performance is at least as good as previous Nikons, if not better. With the right settings and discipline, this camera performs more like a 5mp or higher camera.

DP Review

The Nikon D2H is one of a very few cameras which feels almost perfectly ‘sorted’. By this I mean it’s very difficult to use the camera and find faults, almost any faults, which will affect the camera’s purpose in life, which is to be a very fast, flexible, robust and reliable photographic tool.

Lonestar Digital

Underpowered? Not necessarily …. the 4.1 megapixel sensor actually could be considered to be a strong point because of its smaller, easier to manage image file sizes. Practically speaking, the smaller file sizes are faster & easier to work with.

Ken Rockwell

In some ways the D2h is a huge improvement over the professional standard D1H camera. Advantages are much, much better battery performance and a much bigger LCD screen. A big disadvantage of the D2H is the lack of an electronic shutter which drops the flash sync speed.

Rob Galbraith

Image quality generally matches or exceeds the D1X and D1H Saturation is up, detail is up, noise across the range of ISOs looks to be slightly worse while skin tones seem to be both up and down, depending on the subject and illumination.

Steve’s Digicams

The D2H was nearly transparent as I used it; it did not demand my attention or make me wait, and allowed me to concentrate my efforts on capturing images, not operating a camera.

Moose Peterson

Clocking my camera, it seems to be delivering about 8.61FPS shooting above 1/250. That’s pretty darn cool. Coupled with the ability to shoot RAW + JPEG, it’s a great system.

Imaging Resource

I’ve said before and will say again that the D2H is easily the most enjoyable camera to shoot with that I’ve yet handled, with a fluid, fast, and easy to use user interface that intrudes minimally on the shooting experience. Overall, a powerful photographic tool, not to mention a thoroughly enjoyable one.

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. Frequently, you can find used or refurbished models on these sites. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.
[tags]nikon, d2h, review, dslr, test, digital camera[/tags]