Coremelt TrackX is a plugin for Final Cut Pro X that allows you to track objects in your footage while inside FCP X using Mocha and without needing to take footage to an outside program like After Effects or Motion. The trackers are added to your footage and you can replace screens, add tracking text or blur logos and such directly from your FCP X project.
The workflow is rather straightforward. Although it is not an entry-level task, it is still fairly simple to follow the tutorials and start tracking with TrackX. My jaw dropped the first time I saw this working in my FCP X project. [Read more...]
The Sigma 18-35mm f/1.8 DC HSM lens is built for APS-C format cameras, providing a 27-52.5mm equivalent full frame field of view. At 1.78 lbs, the lens is not quite a bear; however, you’ll definitely notice an increase and size and weight from other variable aperture zoom lenses built for APS-C cameras (e.g., Canon’s EF-S 18-135mm IS STM and Nikon’s 18-105mm VR). I equate the feel close to the Canon EF 24-105mm f/4L IS lens. [Read more...]
The Rode VideoMic GO is a latest shoe-mounted shotgun mic that is geared toward amateur and enthusiast shooters who want to add better sound quality to their video-capable compact, mirrorless and DSLR cameras.
Unlike other microphones in the VideoMic series, the VideoMic GO does not require batteries to operate and has no external controls to adjust. You don’t even have to turn the VideoMic GO on to use it. Just plug it in and, literally, go. [Read more...]
The Senal SMH-1000 studio headphones have the look and feel of the Sony MDR-7506 headphones, which pretty much set the standard for professional monitoring headphones in the sub-$100 range. In many cases, the Sony MDR-7506 headphones are even better than other models that cost substantially more. [Read more...]