Blackmagic Camera Setup 2.6 Adds URSA Viewfinder Support

Blackmagic URSA 4.6K

Blackmagic Design has released Blackmagic Camera Setup 2.6. The new camera software adds support in the Blackmagic URSA for the new URSA Viewfinder that was announced back at NAB 2015.

Additionally, the URSA gets an option to display timecode input by tapping on the timecode display, along with various other performance enhancements and improvements that are not itemized.

More details available here on Blackmagic’s website.

 

Blackmagic Design Studio Cameras Get Price Drops

Blackmagic Studio Camera

Blackmagic Design has dropped the prices on its Studio Camera HD and Studio Camera 4K models. The HD model will reduce in price by $300 and the Ultra HD model will reduce in price by $500.

The HD Blackmagic Studio Camera model is now $1,695 and the Ultra HD Blackmagic Studio Camera 4K model is now $2,495.

Blackmagic notes that the reason for the price drop is based on customer feedback regarding the lack of use of the fiber connection. Blackmagic has removed the connection from the cameras and made it an aftermarket accessory that can simply be plugged into the camera.

Personally, I think the biggest detraction from the studio cameras is the lack of lens options. Sure there are plenty of Micro Four Thirds cameras in the world and you can buy an adapter for virtually any other lens mount. However, many users would like to put studio B4 lenses on these cameras and that is just a clunky option.

If Blackmagic had built these cameras with a 2/3″ sensor and a native B4 lens mount, I don’t think they could make them fast enough. Sometimes, a bigger sensor is not always the best option.

How to Add Effects to Audio “Tracks” in DaVinci Resolve 12

How-to-Add-Effects-to-Audio-Tracks-in-DaVinci-Resolve-12

I’ve been using the new DaVinci Resolve 12 beta for the past week since its release. Not really for mission critical stuff, but duplicating projects when I have extra time and learning the work flow. I’ve said before that the new Resolve is what Final Cut Pro X should have been and I’m thinking more and more like that today.

Unfortunately, there isn’t much in terms of training or forum conversations regarding the little features that matter to my workflow. I was ready to kick Resolve 12 to the curb because there didn’t appear to be a way to add audio effects to an entire track via the Track Mixer.

It’s a little different than other NLEs but it’s not too hard to do. [Read more…]

DaVinci Resolve 12 is a Full Blown NLE and It Looks Incredible (and it’s free)

DaVinci Resolve 12

One of the most impressive things I saw at NAB 2015 was Blackmagic Design’s DaVinci Resolve 12. Looking back, I can’t believe that I haven’t written about this yet. But maybe this timing is actually a little better since it is supposed to become available in the next few days.

Right now, the big three video editing platforms are Premiere Pro CC, Final Cut Pro X and Avid Media Composer. All have their fans and faithful user bases. But I think there is about to be another big player with Resolve 12. [Read more…]

Fotodiox Launches Sharkcage for Blackmagic Pocket Cinema Camera

Fotodiox Sharkcage for BMPCC-2

Fotodiox has officially unveiled the Sharkcage for the Blackmagic Pocket Cinema Camera. The rig consists of a cage that is tightly fit to the shape of the BMPCC and includes a top handle, along with a baseplate (also with an Arca Swiss QR plate) and dual 15mm rods that are 12″ long. [Read more…]