Canon has issued a press release on a couple of hot new lenses. Once I learn more I’ll be sure to pass it along. For now, check out the following press release: [Read more…]
Canon has issued a press release on a couple of hot new lenses. Once I learn more I’ll be sure to pass it along. For now, check out the following press release: [Read more…]
The Olympus 70-300mm f/4-5.6 (a new Four Thirds lens) has a focal length equivalent to 140-600mm on a 35mm camera. That’s a range that you couldn’t possibly find on another DSLR system for $400. It is available for pre-order at Adorama.
[tags]olympus, 4/3, four thirds, price, availability, release, 70-300[/tags]
Olympus E-3 is getting close:
Save the Date
Olympus (presents) an Evening of Celebration
To Launch A New Digital SLR
October 16, 2007 ~ 5:30 p.m.
American Museum of Natural History
Columbus Avenue at 79th Street – Weston Pavilion
New York, New York
Take a Journey of Discovery with Olympus…
And Experience the Evolution of Digital Photography
(via DPReview.com forums)
Watch this page for the latest on the Olympus E-3.
The Nikon D3X was announced on Monday, December 1, 2008. At 24.5 megapixels, the Nikon D3X is geared toward maximum resolution, which is something many Nikon pros have been asking for. The D3X compliments Nikon’s current 12 megapixel D3, which has become a photojournalism and sports workhorse since its release in Fall 2007.
In comparison with the D3, viewing images from that and the D3x side by side, the former’s images are noticeably smoother and as we mentioned at that time of our initial review, more film-like while the D3x’s do reveal more clearly defined detail – particularly on close ups – when viewed at 100%.
Especially for pros and enthusiasts who are already invested in the Nikon system, and can afford the eight grand, this is one smart big-ticket purchase.
As I’ve written above, the D3x is probably the best DSLR in terms of image quality so far. But the problem is value. There simply isn’t US$5700 worth of value in a D3x over a D700.
Moose Peterson (first impressions)
Final images from the D3x…freakin stunning!!!! D3x is for everyone…NOT freakin even! Does Moose love it? Final file, hell yeah!
Like the Sony Alpha 900, the incredibly high resolution of the D3x delivers files of an extraordinary quality, both in and out of the studio, between ISO 100-400.
Joe McNally (brief hands-on)
My standard for detail has always been Kodachrome 25, and the D3 zoomed past that pretty handily, and now this thing gives you a file that is like frikkin’ Stargate.
For Nikon users, they have finally got a pro DSLR body that could offer them high resolution beyond the measly 12.1 megapixels ceiling that had to live with before without having to consider going medium format.
I have already had the rare opportunity to shoot with a pre-production sample D3x with final firmware, and although the raw files remain inaccessible, low-compression JPEGs taken at ISO 100 at standard settings in a studio environment look stunning.
From the time I had with the D3x, I was blown away. The image quality is excellent and being able to crop really close in on the rear monitor and still see detail in the eyes and hair of the model was great.
The viewfinder is very bright and clear – essential for studio work – and focusing in low-light was quick and accurate, although on occasion it did get a little confused in gloomy, low-contrast scenes – hardly unusual for any DSLR, professional or not. However, overall, it feels superbly solid and totally up to the job.
Even though the camera was a pre-production model I was extremely impressed with both the camera and lens. As you will see with the images I have posted the clarity, sharpness, dynamic range is exceptional.
Full Res Samples via Flickr:
NIKON UNVEILS A DIGITAL MASTERPIECE: THE D3X DIGITAL SLR
MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.
The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.
“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.
The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.
The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.
The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.
Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.
To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.
A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**
* Based on CIPA Standards
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
Originally uploaded by Eric Rolph
Shot with a Canon 5D at 20mm, ISO 320, f/8 & 1/250s.
[tags]photo of the day, pic, photo, rainbow, jump, canon, 5d[/tags]
The Nikon D40 is a 6 megapixel entry-level DSLR, which was introduced in November 2006. Its 10 megapixel big brother is the Nikon D40x. Expectedly, the D40 is the least expensive DSLR in Nikon’s current lineup. To reduce cost, some features of the Nikon D50 were simplified to give a $600 MSRP with the 18-55mm G-II kit lens, although the current street price is significantly less (see Amazon). The D40 and D40x are notable in being the first Nikon DSLRs that will only autofocus using lenses with internal focus motors. The launch of the D40 was accompanied by a new small kit lens, the AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II; and a new small Speedlight, the i-TTL SB-400 featuring a 21 m guide number and a vertically tilting head.
Nikon has continued to promulgate the AF-S (internally focusing) series of lenses to support the D40 and D40x. Third-party manufacturers (e.g., Sigma) are following suit as well. Recently, Sigma delayed the release of its 18-200mm OS lens in the Nikon mount so that it could add HSM (hypersonic motor) as a standard feature (but only for the Nikon mount). Read more about this topic here and see a list of compatible Sigma lenses here.
I’ve been using a Nikon D40 for a few months. I’m primarily a Canon user; however, I wanted one of these cameras to play around with and to see what Nikon had to offer. I am very pleased with the capabilities of my D40. The D40 is significantly lighter than any DSLR that I’ve ever used, even the Canon Rebel series.
Unlike my Canon Rebel XT, my Nikon D40 will capture RAW images when I shoot in full auto mode (the little green square). My Rebel XT will only capture JPEGs in full auto mode. This works well when my wife takes the D40 on and outing (she only uses full auto mode). I know that if there’s exposure problems in her shots, I’ve got a better chance of saving a photo by working in RAW. It also helps to keep all my images in a single format. For more on the RAW vs. JPEG debate, read this post.
There are a few things that I wish my D40 did though. First, I wish it had more autofocus sensors. It has 3 across the middle of the frame, which can sometimes limit framing options for action shots. I would be much happier with a couple more – one top-center and one bottom-center. Additionally, I would like to have some vertical grip options, like my BG-E3 grip on my Canon Rebel XT. However, I understand that I’m asking for more features than should be reasonably expected from a ~$500 entry-level DSLR. Still yet, these are things that I miss. So, if you think features like this would be missed, you might be better off in stepping up to a Nikon D80, Canon Rebel XTi or Canon 40D. Still undecided? Consider the reviews below.
In everyday use the D40 is just what it set out to be, a very capable, compact, lightweight and easy to use camera which makes a perfect first step for anyone wanting to get into digital SLR photography.
If you’re looking for a great Nikon camera to make great photos, especially of moving kids or sports or indoor plays and concerts, this is it compared to any fixed-lens camera.
Bottom line, the Nikon D40 is very responsive, good for wiggly kids and most sporting events. Though Continuous mode speed could be a little faster, the camera at least captures frames continuously at that rate, seemingly without any buffer limitation.
If you’re ready to enter the world of digital SLRs, the Nikon D40 is a great way to do it. It offers a compact, truly portable body, great performance and photo quality, and a really user friendly interface for not a lot of dough. I can recommend the D40 without hesitation.
Ultimately the Nikon D40 provides almost everything that most photographers need in a camera (digital or otherwise), whilst delivering great ease of use, responsive performance and very impressive image quality. Highly recommended if you are looking to buy your first digital SLR camera.
Although Nikon continues to improve and hone its entry-level D-SLRs to make them easier to use, the D40 doesn’t quite earn a coveted Editors’ Choice award.
Where to Buy
First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.
[tags]nikon, d40, review, test[/tags]
“Availability: In Stock. Ships from and sold by Amazon.com. Gift-wrap available.”
That’s straight from the horse’s mouth folks. Here’s the link to the Sony α700 page at Amazon.
[tags]sony, a700, α700, alpha, availability, price, order[/tags]
Scott Kelby’s 7 Point System for Adobe Photoshop CS3 is due to release on October 19th and sounds really promising. As you may know, I’ve previously raved about Kelby’s books. I expect no less of this one.
It is touted as “so revolutionary that he’s officially applied for a patent with the U.S. Patent and Trademark Office.” (Amazon description). Something inside is a bit unsettled by this fact though.
A patent for an invention is a grant of property rights by the U.S. Government through the U.S. Patent and Trademark Office. The patent grant excludes others from making, using, or selling the invention in the United States. (USPTO)
I am curious to see the scope of the patent that Mr. Kelby is seeking. The patent doesn’t appear to be published yet (let me know if you find a copy). If a patent issues, will readers be forbidden from discussing the techniques on forums, blogging about it, posting youtube videos of the system in action? Is there a license to use the patent included with the purchase of the book? What if I’ve got an 8th point that makes the system better? Can I use it without a royalty on the original patent? What is Adobe’s stance on this?
Perhaps I am overreacting? Please chime in with your thoughts on the matter.
[tags]photoshop, scott kelby, 7 point system, patent, rights[/tags]