Wildlife photographer, Andy Biggs, has launched a new camera bag line called Gura Gear. Biggs designed the first bag in the line, the Kiboko, to his specifications based on his needs in the field. The Kiboko weighs 4 pounds and is made from high-tech Dimension Polyant VX-21,which is a waterproof material used on sailboats. The Kiboko is fully customizable with extra dividers and a removable rain cover. It accommodates up to 500mm and 600mm lenses (both at the same time).
More on the new Gura Gear line in the press release below. [click to continue…]
Mitsubishi has launched the CP-9810DW photo printer, which offers a 300 dpi high-density, highly efficient thermal head for large volume printing. The CP-9810DW can print a number of print sizes, such as the popular 3.5 x 5, 4 x 6 and 5 x 7 sizes, and also offers the ability to print with a matte finish.
More details about the CP-9810DW in the press release below. [click to continue…]
Mastering HD Video with Your DSLR is a new book dedicated to learning how to capture and edit footage captured with the new video-capable DSLRs. Mastering HD Video with Your DSLR is authored by Helmet Kraus and Uwe Steinmueller. The book retails for $34.95, but is available from Amazon.com for $23.58 at the time of this post.
More details in Rocky Nook’s press release below. [click to continue…]
As you may have heard by now, Photoshop World 2010 in Orlando was stellar. While Photoshop World leans very heavy toward post-processing and all the goodness that Photoshop lets us do, there is also a healthy serving of photography mixed in. Lighting, in particular, was a huge theme in this year’s photography sessions. If you are passionate about photography (or post-processing) and have never been to a Photoshop World, you owe it to yourself to attend one soon.
Unfortunately, I cannot convey in words just how much fun Scott Kelby and the rest of the NAPP gang manage to stuff into a few days. Instead, I’ll just share the 10 (totally subjective) best things about Photoshop World 2010 and leave it to you to make it to the next one and experience it for yourself. [click to continue…]
The following post is by Portland-based photographer, Tyson Robichaud, who discusses the concept of complimentary color in photography. Learn more about Tyson at the end of this post.
Applying the concepts of complimentary color contrast in a photographic sense can provide a handy compositional tool. When looking at various forms of visual art, we can draw from the creative talents of those who’ve perfected their craft. In this case, I wanted to explore Henri Matisse and his use of bold complimentary color. Visually wandering through one of his paintings and revisiting the basic concepts of color (I basically printed out a color wheel), I’ve been looking at just how much it can help direct a viewer’s eye. [click to continue…]
The following post is by Ontario-based photographer, Steve Richardson, who explains how to find the “sweet spot” of your lenses. Learn more about Steve at the end of this post.
First let me say a special thanks for Eric Reagan for the opportunity to share with the Photography Bay community!
The focus (no pun intended!) of this article is how to find the “sweet spot” of a lens. The sweet spot refers to the aperture setting of a given lens that yields the best overall sharpness from the center to the edges. Most good quality lenses will give you good sharpness at the center regardless of what aperture you use, but for the best edge-to-edge sharpness we need to dig a little deeper. [click to continue…]
